Tag: instititutional critique

Gute, C. (2011) Institutional Critique Flair Button

Part Five – Exercise 5.4: Institutional Audience

Does institutional critique presuppose an ‘insider’ audience requiring familiarity with artworld topics and issues or can it be understood by almost anyone spending an hour or two in a gallery? Institutional critique as part of conceptual art requires context. Context, not intrinsic in the object or work, relates to prevailing cultural conventions and knowledge. However, as the previous exercise has…

Part Four – Assignment 4: The Art of Difference and the Difference of Art

Given the nature of difference-in-itself, or what we have referred to as theoretical difference, it would be an error to say that it appears in some works and not others. It would also be an error to think that difference was the only thing a work had to offer. However, with some caution and a little licence, we can show…

Part Four – Assignment 4: Refining Argumentation

Assignment task: Given the nature of difference-in-itself, or what we have referred to as theoretical difference, it would be an error to say that it appears in some works and not others. It would also be an error to think that difference was the only thing a work had to offer. However, with some caution and a little licence, we…

Stefan513593 - Asher - space contraction

Preparation A4: Michael Asher Claire Copley Gallery, 1974

Claire Copley Gallery, 1974 Related to my previous researches on Asher’s other works and context of Minimal Art, conceptual art and institutional critique. The removal of the partition wall between exhibition space and space of operations, the restoration of one integrated gallery space with display standards (i.e. all walls white, no discontinuity visible) but without and artworks on display, and…

Stefan513593 -life cyle art

Preparation A4 – Space, conceptual art and institutional critique

Michael Asher’s work in the Claire Copley Gallery (1974) addressed the gallery space as artwork from a perceptual and a social context perspective. As seen before it is important for the reception of any artwork to consider the historical context as well as the social and art theory context of his time. Otherwise, when looking backwards one may be biased…

Preparation A4 – Michael Asher’s works and key concepts

Asher’s Work in the 1970s Michael Asher (1943- 2012), an American Conceptual Artist from Los Angeles, was and is considered as one of the founder of ‘Institutional Critique’.  A. Fraser (2011) looked specifically at the context of artists as Daniel Buren, Hans Haacke, Marcel Broodthaers, and Michael Asher and their influence of the conceptual critique of Modernist institutions. Asher’s works…